傲慢与偏见电影观后感
《傲慢与偏见》这部电影其实对于不同观众的观感是不一样的。因为这部电影是由原著改编的,所以观众可以从原著中了解到角色都是一个什么样的性格, 电影中的角色呈现的这种气质似乎和原著有所差异,但是在剧情线上还是跟随原著进行发展。这部电影在整个的场景设计上是能够看出有精心设计的痕迹的,因为很很多场景看起来都是赏心悦目的观众,也是可以跟随着这样的场景感受到这部电影本身的魅力。尽管演员在表演上可能和部分观看过原著,的观众内心的一些设定会有所不符,但是大部分观众对这部电影的评价还是不错的。这部电影中所表达的感情其实也是主要的一个讲述的部分,因为主角之间的这份感情来源是非常有戏剧性的。所以观众在观看之后也会了解到这份感情,本身是一个非常有意义的过程。
《傲慢与偏见》观后感, 一千字
“Any library is a good library that does not contain a volume by Jane Austen”, when this words about Jane Austen given by Mark Twin first came upon to me, I was, just in your expectation, a little bit surprised. Gradually, however, when I know more about the characteristics of her works, I think the judgement of Mark Twin makes sense in some degree. Especially after I have finished her work Pride and Prejudice and compared it with the contemporary production The Red and the Black written by Stendhal. Less reflection and exposure on social conflicts among different classes is a big pity for Austen’s works, as well as for the readers. Still, however, Austen’s unique interpretation towards marriage is the distinguished feature of her literary accomplishment. And I want to give some reflection on the different kinds of relationships and marriages in Pride and Prejudice.Five different types of relationships or marriages, as far as I am concerned, are presented in this book.The first type, undoubtedly, is the relationship between Jane and Mr. Bingley. They met at a party and almost fell in love with each other just after their first encounter. Bingley’s wealth and courtesy, Jane’s beauty and tenderness, and the similarities in their personality are all the factors that contribute to the relationship. So, though I believe, actually, there is some kind of love between the young lady and the gentleman, it is not the pure and true love, their combination is not for no intention but for some certain desire. So I would like to call their relationship as “Secular Love”.Contrasting to the relationship between Jane and Mr. Bingley, the marriage between Charlotte and Mr.Collins is much less romantic, or no romance at all. One is the Cinderella in reality equipped with no prince, the other is a priest, old and ugly. Their marriage, of course, has no love but compromise. Even Elizabeth thinks “Charlotte the wife of Mr. Collins, was a most humiliating picture!” But what could she do? Just as she said, she is not romantic and she asks only a comfortable home, and this is within Mr. Collins ability. Comparing with being a 27-year-old burden to her family,at least for her, marrying Mr. Collins is the best choice. So as for them, I call “Rational Love” or rather------ “Rational Combination”.Another couple is Mrs. Bennet and Mr. Bennet. Just in the first chapter, I wondered why two people with such different characteristics could live together for 23 years. The wonder disappeared when the explanation was offered by Austen in Chapter 42 about Mr. Bennet’s attitude towards his wife. Captivated by youth and beauty, he married her and very early in their marriage, after knowing the disposition of her, ended his affection and used her ignorance to contribute his amusement, having impropriety of his behavior as a husband. Neither for Mr. Bennet nor for Mrs. Bennet this marriage is quite fair or contented, but both of them should pay, and had already paid the bill of their “Hasty Love”.Lydia’s relationship with Wickham, to some extent, is similar with her parents’. Mr. Bennet was captivated by the beauty of his wife and Lydia was fascinated by the handsome appearance of Wickham. Compared with her parents’ marriage, however, Lydia’s relationship with Wickham would only turn out a much more unpleasant one, for their marriage is based on the fulfillment of vanity and the desire of property. So I consider their relationship as “Orectic Incorporation”And finally here comes the relationship between Elizabeth and Mr. Darcy. When I first finished the movie of Pride and Prejudice, I still wondered why there is a love flame between them. One is so proud and the other full of prejudice, but when I read more details about this work, the answer has emerged. “Love”, a word we are so familiar with, but what is love? In Austen’s work, I gradually know that love is not just as abstract as we often regard. Take Elizabeth, for example, her love for Daisy is based on two things: respect and gratitude. She respects his valuable qualities: nobility and kindness, and even Wickham had done something so bad to him and his sister, he still didn’t blame him before others or let him lose all dignity in public. Also, she is grateful to Mr. Darcy, for his love, for his forgiveness about her bad manners when she rejected him, for his help to her sister’s marriage and her family’s fame. And finally, these turned out her attachment, affection and love for him. As for Darcy, his attention to Elizabeth was first on her eyes, full of liveliness, thoughts and pursuits and unlike any other ladies, she is such a unique girl that she didn’t flatter him at all, so for him she is so extraordinary and attractive. And Elizabeth got his respect and love because of her own independence, liveliness and uniqueness. And I regard their relationship as “Spirit Love”.Austen’s attitude towards marriage, love, status and property can still be used as a reference. Nowadays, fast food culture derives fast-food-style love, although we are in the era of fast changes, it’s better for us to love rationally and independently. Hope everyone has his real, unique love.
傲慢与偏见电影的观后感范文
傲慢与偏见电影的观后感范文5篇 班纳特太太最大的人生目标就是给她的这5个女儿都找到如意的郎君。可惜天不从人愿,二女儿伊丽莎白总能找出100个不愿结婚的理由拒绝母亲。下面是我给大家整理的傲慢与偏见电影的观后感,希望能给大家带来帮助。 傲慢与偏见电影的观后感1 其实我没怎么看过这本书,但就在前段时间追过这个电视剧,我从中感触多多。 故事里也讲了爱情观。当一个人在一段爱情里卑微到尘埃,那么离结束也不远了。故事里唐楠楠为了心爱的男友将学费让给他读书,自己赚钱养他,最后男友跟富二代在一起,对唐楠楠只说愧疚。在这里,真是心疼她120次,在一段爱情里做到这样真真正我是服了的。 在一段感情里,付出多的那个人最容易受伤,全身心付出,回报也许就是负数。在爱情的脚步中,两个人要步调一致,一个人走太快,另一个人甩太远,很危险。 所以后来与朱侯面临是否分开一年的时候,她选择了悄悄离开,她懂得了不能让爱情成为实现梦想的绊脚石,希望两个人一起进步。 其实故事的结尾还挺让人意外的,我满以为两人在一起了皆大欢喜,这个故事就可以圆满结束了。没想到后面还有这样一段,算是与前面被抛弃的感情有个交代。经历之后,才会成长。 这部影视告诉我们做人不能够恃强凌弱,要与人和睦相处,自己遭到怠慢也要心平气和的对待。在爱情的道路上,不要动不动就倾其所有,很多时候,与其卑微到如尘埃一般让人不屑一顾,不如留一些骄傲和疼爱给自己,放下自己所有的傲娇与偏见,好好的享受当下的生活,轰轰烈烈的爱一回,给自己一个机会,也给对方一个机会!那句“以爱一个人的名义放弃自己的梦想,会失去自己的自尊”!这句台词很有杀伤力! 这个电影给我印象最深刻的一个画面。现实世界,谁没有遭遇过这样那样的“被偏见”,而有时你无力辩驳。偏见与偏见之间高高垒起的那堵傲娇。偏见即矛盾,矛盾即摩擦,摩擦即火花,火花崩开的笑料。真爱无关金钱,无关社会地位,甚至无关星座合不合,没有固定的公式,大部分都只是偶然发生。 谁的青春没有遇见过几个渣男?谁的过往不曾有过灰头土脸?那些年的年少轻狂,沉淀成现在的成熟老练。梦想、爱情、尊严,年少时热血满腔,如今再回忆,更似是中二附体,饶是成熟的心态,依然无法招架。 傲慢与偏见电影的观后感2 看完《傲慢与偏见》这部浪漫唯美的电影,让我最大的感悟就是“只有爱情才能让我走进婚姻的殿堂”这也是剧中女主角最经典的一句话,也是伊丽莎白的一句至理名言。《傲慢与偏见》这是一部根据简·奥斯汀的同名小说改编,由Joe Wright导演的影片,影片主要讲述了美丽的伊丽莎白因为达西先生傲慢的态度而对他产生了偏见。经过种种波折,终于冰释前嫌,走到一起的故事。影片是围绕贝内特一家人展开的,展示了在当时那个以金钱为婚姻的主要参考的社会下,女主人公独到的爱情观。同时,在影片中,还有伊丽莎白姐妹以及朋友的婚姻,作为陪衬,更加突出了影片主旨。 首先影片的关键情节和人物的心理情感变化把握的很准确。特别是在片中,伊丽莎白心理上起的最大变化时,是在凝望达西先生的雕像。从伊丽莎白的表情到她回答舅妈的问题(舅妈问她:“达西先生非常英俊,是不是?”她说:“是的”)准确的地表现她对达西看法地改变。她对达西先生由厌恶到倾心,这个地方是她心理情感上发生微妙变化的转折点。当然,还有很多其他好的情节,比如,伊丽莎白与达西跳舞时的场景。在这里就不一一列举了。 其次影片的背景音乐,影片的取景也是影片的一大亮点。优雅的钢琴曲,弹奏出闲适的生活,感情微妙的变化,优美的景色等等。当伊丽莎白拿着一本书独自走在英格兰广阔秀美的草原上,既显示了英格兰原始天然的风景也突出了伊丽莎白那种自由的心理向往。影片在英格兰取景,呈现予我们英格兰从北到南最精致的庄园美景。音乐与景致相辅相成。这点是影片成功的一个关键。 最后影片的整体感觉较为平淡,没有紧张激烈的场面。即使是在高潮部分,给人感觉波动也并不大。但是,却丝毫没有给人乏味的感觉,反而越品越由味道。这样的影片是值得我们反复去欣赏。因为每次看,都会有不一样的感受。 傲慢与偏见电影的观后感3 在读完书和看完电影后,我发现书本和电影的差距比我想象中的要大很多,但人物设定是一样的只是情节上有所出入。 比如:在柯林斯先生到朗博恩家拜访时,在他读“讲道集”后,大家都比较厌恶,所以他就停下不读了之后发生的事就有了出入(在电影中他和朗博恩太太对话,但书中他们的对话在第二天早上,而且书中描述的是他在讨无趣之后和本奈特先生玩十五子棋,而电影中他在和本奈特太太交谈关于伴侣的事)。 其次:第二天,魏肯和达西相遇的地点不对,电影中是隔着河相遇对话的,而书本中是在街道上相遇的。之后魏肯欺骗伊丽莎白的地点也不对,电影中在湖畔,书本中是在一个电影中没有的聚会上(这也是重点,书本中比电影中多了一个在菲利普斯家开的聚会)。 还有:在柯林斯向伊丽莎白求婚被拒绝后,伊丽莎白的去向(电影中是跑到了河边而书本中是跑上了楼梯),因为这个地点有差异,所以后面伊丽莎白父母和她谈话的地点也有差异。 找出十几个差异之后,我也终于理解明白了为什么电影和书本差距那么大。最重要的一点就是电影时间的有限,但书本的长短没有限制,其次电影的场景和情节要简短但吸引人,所以很多这类电影场景的选择会偏向美但不看重和书本的差距。导致这样最本质的原因就是电影只是符合书本的情节,只符合我们所谓的——开始经过和结果,因此大部分改编电影只是符合书本中故事的模糊轮廓而没有细节。 对于这类电影书籍来说,无论看电影还是看书,都有各自的闪光点:电影吸引人,场景优美,故事发展十分立体形象,人物特点明显突出。但书本语言优美,携带方便,故事完整,人设贴近生活。所以像这类的书籍电影来说,无论你看电影也好,书籍也好都会有不一样的收获,看了电影你心中的人物会更具体形象,看了书籍,你对名著的理解就会达到一个新的境界。 当我们有空闲时间时,我们不妨对比电影着看这类名著,说不定我们会有新的发现和理解。 傲慢与偏见电影的观后感4 18世纪英国平民区,白太太膝下五位女儿婚期遥遥无望,令她焦躁不已。一日,年青富家子宾利先生搬进城内的消息传来,白太太兴奋不已,决定要安排其中一个女儿夺得富男归。一次舞会上,宾利先生果然看中了白家最漂亮的大小姐珍,可惜宾利的老友达西先生却天性傲慢,直言难与平民交往,更不屑与白家的莉莎共舞。谁知他这番话被莉莎听见,两人自此水火不融,针锋相对。 一日,宾利先生突然消失,令珍伤心欲绝。莉莎因此怪责达西从中拆散姐姐及宾利,令两人成见日深。直至妹妹丽蒂亚的感情出现危机,莉莎才终于明白达西的真正心意...... 该版的演员遴选值得赞赏,与《傲慢与偏见》最初版本书中的插图画非常接近,几乎是完全按照插画进行挑选的。尤其是达西、柯林斯、班内特太太、卡苔琳夫人、德包儿小姐(美丽、文雅但病态)的形象;班家姐妹也不错,夏绿蒂温柔理性,达到几乎说得上美丽的地步。卡苔琳夫人和达西这对姨甥在表情严厉的时候还真的很象。 该版中的伊丽莎白是最温柔娴淑的(她恨达西时,说的最尖刻的话是:"希望达西先生能娶德包尔小姐,这样卡苔琳夫人就能作他的丈母娘了!"),风趣幽默,含蓄内敛,但是外柔内刚,在温柔中又隐含了自尊和敏锐,思想深刻,经常进行自我反省;伊丽莎白第一次拒绝达西求婚、看了达西信后,有一段深刻的思考,看清了自己的爱慕虚荣,达到了"顿悟",人物心灵得到升华,从那以后对达西的感情转变比较自然。 达西演出了傲慢、不近人情的特点,也演出了对伊丽莎白的关注,这种关注的确较令人费解,猜不透原因,不过试想,如果他稍稍表示出了好感,在《傲慢与偏见》描写的这群人精中,马上会被众人发现并且议论。 傲慢与偏见电影的观后感5 昨天晚上和舍友一起观看了这部《傲慢与偏见》电影,它主要说的是十八世纪在英国发生的四门婚姻。其中最主要的,自然是发生在女主角伊丽莎白·班纳特与男主角费茨威廉·达西之间的爱恨情仇。伊丽莎白是个勇于追求爱情、漂亮聪明、坚强可爱的中产阶级女子。故事主要以她对达西先生从一开始的厌恶到尊敬,再到爱慕为线索,也穿插了在几个发生在她身边的幸福或不幸的婚姻,而最终伊丽莎白与达西有情人终成眷属。 这部电影中通过班纳特五个女儿对待终身大事的不同处理,表现出乡镇中产阶级家庭出身的少女对婚姻爱情问题的不同态度,从而反映了作者本人的婚姻观:为了财产、金钱和地位而结婚是错误的;而结婚不考虑上述因素也是愚蠢的。因此,她既反对为金钱而结婚,也反对把婚姻当儿戏。她强调理想婚姻的重要性,并把男女双方感情作为缔结理想婚姻的基石。书中的女主人公伊丽莎白出身于小地主家庭,为富豪子弟达西所热爱。 电影之中所谓的“傲慢”就是指出身富贵、教养颇高、眼光锐利的青年达西的个性弱点;而所谓的“偏见”是指出身中产阶级、教养颇好、机智聪明的小姐-伊丽莎白的精神弱点。一个眼光锐利,一个机智聪明,都属人中杰,但却都难免人性的弱点的纠缠。他们在一次的家庭舞会上初次见面,却因对彼此的印象不佳,一个态度傲慢,另一个心怀偏见。第一个印象先入为主,以后又加上女人们在旁闲言碎语,而造成了伊丽莎白和达西两人之间的爱恨情仇。 “傲慢”、“偏见”这两个毋庸质疑的贬义词,简.奥斯丁用“精心的语言”和“机智的幽默”将作品描绘成为精致的象征,才成就了这样一部好的作品和百看不厌的电影。